Chris Ruest / Gene Taylor
September 19, 2018 · Wednesday * 8pm * $8
If you haven’t been paying attention to his career, this is the short version of what you need to know: Chris Ruest is the real thing. The New Englander has been a resident of Texas for well over a decade. Already a serious student and lover of traditional blues and blues-oriented jazz artists, the singer-guitarist came up through Brian “Hash Brown” Calway’s band (justly regarded as the finishing school of choice for aspiring Dallas blues musicians), and has worked with many of the Lone Star State’s most important talents, including the great Ray Sharpe (“Linda Lu”).
Chris Ruest belongs to the impressive class of serious Texas blues guitarists, a group that includes Johnny Moeller, Shawn Pittman, and Nick Curran. While the others may have wider name recognition, Ruest has quietly built a reputation of excellence that is spreading beyond his Austin home base. A veteran with nearly two decades’ experience on the bandstand, Ruest’s passion for classic blues (jump, Chicago, and Gulf Coast) and roots rock forms comes through in an original voice that combines immediacy and authenticity. Dead-on songwriting and savvy selection of covers provide a platform for his unaffected, honest vocals and tough guitar.
The Connecticut native’s interest in guitar was encouraged by his father and his uncle, jazz musician Louis Mastrobattisto. Ruest began taking lessons at 15, hoping, rather typically, to emulate blues-based rock guitarists Duane Allman, Eric Clapton, and Jimmy Page, but soon discovered the artists who inspired them. Gradually his core group of touchstone artists expanded to include the likes of Hubert Sumlin, Pee Wee Crayton, Robert Nighthawk, Johnny “Guitar” Watson, Pat Hare, Eddie Taylor, Freddie King, Magic Sam, Robert Lockwood, Luther Tucker, T-Bone Walker, Albert Collins, Tiny Grimes, and many others. After playing around Connecticut between the ages of 17 and 25, Ruest resolved to make music his main priority, gave up his factory job, and relocated to Texas in 1999.
Ruest’s band has opened for Bobby “Blue” Bland, Johnny Winter, Anson Funderburgh and the Rockets, and Little Charlie and the Nightcats. 2005 brought Ruest’s recording debut as a solo artist, Too Many Problems, a spirited collection that captured crisp performances in glorious, true-to-vintage sound. The notable players who appeared on that disc, including Preston Hubbard, Matt Farrell, and “Kaz” Kazanoff in addition to Curran and Hash Brown, offer testimony to the respect Ruest commands among his colleagues. Now expanding his performance schedule to a wider circuit that includes California, Spain, Sweden, France, Costa Rica, MO, CT, Mass, RI, Tenn, Houston, Corpus Christi, and San Antonio, and club and festival dates outside Texas, Ruest recorded a follow-up CD No 2nd Chances a 3rd release Live at Shakespeares with Ronnie James and Jd Dtullio, and has just completed 2 more albums on joint effort with piano legend Gene Taylor titled Too Late Now (available july 21 on El Toro Records Spain) and another album recorded for Enviken Records of Sweden (hopefully released by early 2018!
“My goal is to play everywhere and keep playin’.”
Like the rest of the program, these three cds let the band work out on touchstone tunes that still sound fresh, owing to their relative scarcity in the playlists of contemporary bands, and demonstrate Ruest’s control of the essential themes of real blues guitar. His playing, sometimes deliberate, frequently savage, is always intense, carrying the threat of violence that was imminent in the approach of Curran, or Pat Hare. Paired with his outstanding rhythm section, Ruest–one of the toughest players anywhere–is on fire. Live at The Shakespeare Pub is his master class in blues history, vividly performed, and should attract a great of overdue attention.
Gene Taylor is an extraordinary blues piano-player and singer, born in Los Angeles, California, in 1952. At the age of eight, he came under the influence of a family of blues and boogie-woogie players who moved in next door to his house. After starting out with the drums, he switched to the piano and the guitar at age ten. He learned very quickly playing by ear and, at age 11, he began performing in a ‘family band’ with his best friend Jim Payne and Jim’s parents. They worked occasional neighborhood functions, giving Gene his first experience as a ‘paid musician’—playing and singing country music.
Having lost both his parents and brother by the age of 15, Gene was firmly committed to the life of a musician. After obtaining his driver’s license at age 16—and looking much older, thanks to an already-receding hairline—he started finding local work with such L.A.-based blues legends as Big Joe Turner, T-Bone Walker, Lowell Fulson, and Pee-Wee Crayton. In his own words, “Well, I was playing good boogie-woogie and pretty fair blues at this point, and going to blues jams with my fake ID (identification). The word got out that I wanted to work! Since I was young and would work cheap, I was hired by these guys sometimes as a ‘fill-in’ on local gigs for the older piano players who weren’t available or wanted too much money!” (laughter) “But I was a quick learner and I had a car—all the better to drive the older guys around!” (more laughter) This experience was invaluable to Gene’s musical foundation. And during this period, he met both James Harman and Phil and Dave Alvin—who later formed The Blasters.
After working for James Harman during most of 1974, Gene was asked to join Canned Heat. He was a member of this legendary band from November, 1974 until June, 1976—giving him his first international exposure.
After leaving Canned Heat, Gene worked as a solo performer around Long Beach, California. He had a 2-year ‘house-gig’ at a notorious Long Beach bar called the Falcon’s Nest, owned by a now-deceased gangster. At this lively spot, Gene’s audience occasionally included various Los Angeles-area celebrities—most notably, actor Robert Blake and poet Charles Bukowski.
In 1978, Gene immigrated to Toronto, Canada, to play music with his friend Morgan Davis, a well-known Canadian bluesman. He was based in Canada from 1978-1993—though he continued to perform with other artists world-wide. During his years in Canada, Gene found time to play and record with the Downchild Blues Band, Chris and Ken Whitely, and the one-and-only Ronnie Hawkins (founder of The Band). During this period he also was a member of The Amos Garrett, Doug Sahm, Gene Taylor Band—releasing a Juno Award-winning album, “The Return Of The Formerly Brothers” (1987) and another recording, “Live In Japan” (1990).
While working with his good friend James Harman again, in 1981, Gene was asked to join the Blasters—a band comprised of four friends from his teenage years (Phil and Dave Alvin, John Bazz, and Bill Bateman). He played with The Blasters for 4 1/2 years, recording four critically-acclaimed albums for Warner Brothers records and appearing on every important music television show of the period. In 1984 The Blasters were also featured in Walter Hill’s major motion-picture, “Streets Of Fire”, for Universal Films. Gene also released his first solo record, ‘Handmade’, in 1986. If this wasn’t enough, he also toured with the late Rick Nelson, between Blasters engagements. After leaving the Blasters at the end of 1985, and recording ‘Handmade’, Gene worked around Canada as a solo artist and with the Downchild Blues Band—a band that, years before, had inspired their fellow-Canadian Dan Akroyd to create the “Blues Brothers”. In 1992 Gene played on the live Red Devils recording, “King King” (produced by Rick Rubin for Def American records)—since this band was founded by his old friend Bill Bateman, the drummer with the original Blasters. He also did 2 more Blasters tours in 1991 and 1992.
In 1993, Gene relocated to Austin, Texas, and joined The Fabulous Thunderbirds, remaining with this internationally-acclaimed band until September of 2006. During his almost-14 years with the T-Birds, he toured the world constantly and recorded two studio albums and one live album with the band—plus, a live DVD! He also played on 2 of T-Bird leader Kim Wilson’s solo CD’s. In 2003, Gene released a self-titled CD on the Pacific Blues label and participated in all the tours and recordings of the ‘Original Blasters Reunion’ from 2002-2003. He has also appeared on a recording (2006) with his dear friend, legendary L.A. bluesman, Carlos Guitarlos—and of course, Gene continues to record and perform with his friend of over 35 years, ‘Icepick James’ Harman (13 records and counting!).